CD Plus T-Shirt, Pin, & 11x17 Poster!

US / CANADA ORDERS - SHIRT SIZE M-XL [SPECIFY AT PAYPAL PURCHASE, OR MONEY ORDER]

SPECIALTY SIZES AVAILABLE IN THE MERCH SECTION!

Chainsaw Dissection - Eviscerated By A Ravenous Cannibal

International package order: CD, T-shirt, Pin, and poster included. $35 PPD

Chainsaw Dissection returns with a relentless gore grind attack of 30 tracks that never let up, creating an ultra brutal, ultra guttural slab of death fucking metal.... All topped off with disturbing cover art by Mike of VisualDarkness.com

For fans of: Mortician, Vulvectomy, Cesspool Of Vermin, and Obituary

US Orders $8 PPD / International Orders $12

(add $2 to paypal purchase)

 Much anticipated follow up to Relapse Record's 'Slimewave Comp' Series, Including 28 blistering tracks of blood and cum drenched porn death grind! Guest Vocals from members of, XXX Maniak, Rumplestiltskin Grinder and many more.  Cover art by Mike Hrubovcak of Visual Darkness.

 For fans of: XXX Maniak, Agoraphobic Nosebleed, Meat Shits

US Orders $8 PPD / International Orders $12

(add $2 to paypal purchase)

The Saddest Landscape - All is apologized for. All is forgiven    Discography 2xLP Gatefold  

 Black Vinyl

US Orders $17 PPD   /    International Orders $28 PPD (add $11 to your paypal purchase)

The Saddest Landscape - All is apologized for. All is forgiven    Discography 2xLP Gatefold  

180 Gram Vinyl

US Orders $19 PPD   /    International Orders $33 PPD (add $14 to your paypal purchase)

The Saddest Landscape - All is apologized for. All is forgiven    Discography 2xLP Gatefold  

Red / Red & White Swirl Vinyl

US Orders $17 PPD   /    International Orders $28 PPD (add $11 to your paypal purchase)

The Saddest Landscape - All is apologized for. All is forgiven    Discography 2xLP Gatefold  

Blue / Blue & White Swirl Vinyl

US Orders $17 PPD   /    International Orders $28 PPD (add $11 to your paypal purchase)

The Saddest Landscape's "Lift Your Burdens High For This Is Where We Cross", is full of emotion and power. They play a real style of emo that pulls from the mid eighties roots and the early nineties screamo explosion but also have a very distinct hardcore sound mixed in. If you are a fan of emo and bands like The Swing Kids, The Still Life and Orchid you will probably love The Saddest Landscape. Side B contains The 3 tracks from the OOP "Cover Your Heart" 7"
Remastered" Recorded by Mike Mogis(Bright Eyes, The Faint, Cursive Rilo Kiley)

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Milwaukee’s 1956 pounds out the heavy, chugging alternative-rock riffs like the ones that proliferated throughout the early ’90s, but underneath the grind, the band reveals an unexpected softer side on a few select tracks. "Tonite We Kiss" is a sonic exploration in song writing, it is an expressive portrayal of 1956 honing their craft of post-hardcore song arrangements and aesthetics. This album draws Influences from Neurosis, Isis, Queens of the stoneage along with some helmet and Deftones. This is a journey you will want to be apart of.

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This is the sound of hearts broken beyond repair, of lonley sleepless nights and desperate 4am phone calls. This is the sound of secrets you are too afraid to tell, of emo being made punk again. Intense music....emotional, rocking, great...in the vein of Transistor Tansistor, Saetia, You & I and Hot Cross...Recording duties were split up between Mike Mogis(Bright Eyes, The Faint, Cursive Rilo Kiley) and Steve Roche(Off Minor, Saetia)

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Gold Circles Serve up two incredibly catchy grunge numbers with dance grooves flowing through the tracks like a drugs flowing through a junkies veins.
Devo, Nirvana, The cars, Radio 4, Moving Units are just some of the influences sprinkled throughout this recipe meant to make you shake emphatically
across the dance floor or mosh pit. All on a very colorful, eye catching picture pisc. One time pressing, once they're gone, they're gone.

s&h included with US orders.

s&h included with US orders.

**VERY LIMITED** WILL BE OOP SOON

"This album was another of those looking-through-a-distro impulse buys, and I've got to admit, this is one of the best things I've ever found doing that. The Wisconsin four-piece have put out a driving, intricate, and dark record here, though for the first time in a while, I'm at a loss for comparison. No, it's not out there enough to be able to escape a comparison, but whatever they sound like is eluding me. They play a medium-paced, brooding, anguished style of rock, but it's suprisingly refreshing.

The first song, and probably the album's strongest, "End Sequence" starts out with some low-tuned guitar and adds a simple drum beat, but soon enough kicks in. The pace is never really all that fast, but the instrumentation is near flawless throughout the duration of this, and every other song on the album as well. The guitars for the most part are heavily distorted but played very inricately. There are moments of loud, crunching riffs, and then moments of quickly played clean parts, and slower distorted parts; it all depends on the overall mood of the song.

There are more up-tempo songs, such as "End Sequence," and then slower, more relaxed songs like "Product To Press." The musicianship in either style is tight, with the drummer furiously pounding away at times and at others keeping the slow, driving beat. Also creating a different sound is the inclusion of the viola to finish out the final song, "Platform."

Whether fast or slow, this album however impresses me most in the vocal department. Singer/guitarist George Bregar's voice is refreshingly unique. Again, I can't think of any valid comparisons to make to any other frontman, but if I was forced to strech, I'd say Benton Falls singer Micheal Richardson in his most intense, throat-ripping moments. His voice is what initially drew me into these songs, because of the power and conviction dripping from every word. Every word from the lyric sheet is dripping with emotion and clever introspection, so if that's your thing, I have found the band for you. Bregar's voice is loud and convincing, but luckily it never feels strained. He never feels like he's struggling to reach the level that he does. The music is full of highs and lows, and the vocals expertly use that to bring out the most from every word. Either quiet and near a gravelly whisper or singing that borders on a low scream, the emotive vocals feel perfect in weaving in and out of the music. If there's anything that can initially grab you into the music and hold on for the ride, these vocals will do it.
 
This is a complete release, and one that should be in everybody's collection. I purchased this over a year ago and still listen to it regularly. It's just that kind of album, and I urge you to try it out. "

-Review from Punknews.org

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Seven of your favorite bands serving up their versions of their favorite Jawbreaker tracks
including Adeline Record's The Crush Doing an incredible rendition of "Kiss the Bottle" and Level Plane's
Books Lie throwing caution to the wind and hitting you with a house based grooved out version fire man.
But if you just looking for accuracy. Check out The goodboy suit's dead on version of "Bivouac"

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Re-released, Re-packaged and Re-mastered. Featuring Members of the infamous Harriet the spy (Troubleman Unlimited)
Previously released on the bands no defunct "Donut Friends" imprint and layed dormaint and out of print for years until Coptercrash Ressurrected this masterpiece.

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